by Daniel Gebhart de Koekkoek, location unknown.
hot photography.
(via chronicles of naurnie.: Blogs I Love: Lauren McClure)
Federico Soriano Y Asociados, New Taipei City Museum of Art, Taipei, Taiwan, 2011 (via andarchitecture)
“A museum that contains all the museums. All the major museums. A collection of 100 art museums in the world. Architecture as a purified abstraction of historical landscape…”
Looks like someone has been reading a little Borges…
Heavy Metal by Graphic Surgery
Mixed media on vintage metal
43,5 cm x 43,5 cm x 6,5 cm
2011
Moniker artfair, London
oh, []s
Homage to the Square: Red Series - Josef Albers, 1967-68
(via uekou77)
Les Jours Gigantesques by René Magritte, 1928. Oil on canvas. 116 x 81 cm. Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany.
Robert James Belton, in The Beribboned Bomb, wites:
…Les Jours gigantesques (titanic days, 1928) shows a nude woman struggling with a male attacker who exists only within the contours of her own body. Such images are dependent upon the cultural presumption of innate female masochism, one of the more tenacious ideologemes of the Freudian era.1
Robert James Belton, The Beribboned Bomb: The Image of Woman in Male Surrealist Art, (Calgary: The University of Calgary Press, 1995) 130. ↩
Mike Nelson, ‘To the memory of H.P. Lovecraft’ (via Mike Nelson | pietmondriaan.com)